Parkwest and the Revitalization of Downtown's Nightlife Scene

Editor’s note: This is a first in a series of posts analyzing Miami’s nightlife scene.

So despite Art Basel being over, I'll be doing sporadic posts every now and then until my own project gets off the ground. I have to thank Lackner for giving me a temporary soapbox to speak my mind, because anyone who knows me very well knows my biggest problem is I can't keep my opinion to myself, whether or not they are welcomed.

Unless you were under a rock, you know last Friday was the grand opening of Park West’s new club named, ummm, Parkwest. Despite the sudden name change from Stereo to the confusing Parkwest, the venue shows lots of promise.

When Twilo occupied the space, it set out to be Space's competitor by offering a place for true house-heads to gather. Its lighting system, which I'm sad to see go, I could only describe as Daft Punk-like and overwhelming (but in the good way). Unfortunately, bad marketing and confusion as to when it was open quickly insured its demise, as well as for the never-took-of-the-ground Sound Factory (praise Jeebus!). Louis Puig (owner of Space and Cameo), being the smart business man that he is, decided it was time Pawn Shop Lounge and Y Ultra Lounge face some real competition in the upscale nightclub/lounge market. I can only hope Puig's venture into the open format club o the mainland gives all these other venues a swift kick in the ass to wake up and stop resting on their laurels.

But what is Parkwest like? Imagine the luxury of Set, combined with the gritty nature of Pawn Shop and the exclusivity of Y Ultra Lounge all rolled into one venue and you pretty much got Parkwest. I know the words luxury and gritty seem opposites, but Parkwest embraces the industrial chic ambiance. You know you are in a warehouse when you are in the venue and they aren’t afraid to accentuate that. It’s big and cavernous, with rust-painted columns and unfinished floors. Now, this might be because the place isn’t technically finished, but I say stop, leave it how it is, it's perfect to me.

While it may seem I’m reviewing the place, I just really want to give you a clear picture of the nature of Parkwest. What really is most important to me about the venue is what it signifies.

Let’s face it, the last few months Downtown’s nightlife scene seemed to have come to a halt. Downtown king Joshua Menendez packed his bags and moved all his nights to South Beach, Poplife went on a prolonged hiatus after its run as Dirty Disco at Pawn Shop and Studio A continues to not being able to establish itself as a serious nightlife contender (although I give them props for having a great line up of live acts during 2007, much improved from the previous year).

At the same time, Design District’s nightlife scene came to a complete halt after the District closed, while Amendment XXI cannot seem to shake off the neighborhood bar label it has achieved. Then there is Soho Lounge – I think I’m just going to keep my opinions to myself regarding Soho.

Fact is, unless a Downtown’s club is named Space or Nocturnal, things are probably not looking to great for you. Most ask why Downtown nightclubs struggle at staying afloat. Easy answer: they lack the continuous hordes of tourists South Beach clubs heavily benefit from. In South Beach you don’t have to try as hard to impress wide-eyed Midwesterners and creepy 50-year-old men. Downtown’s patrons are mostly locals who tend to be a lot more fickle -- that is unless you are attracting suburbanites, which in that case all you have to do is get DJ Laz in the room and you'll have them eating out of your hand. But with serious nightlife locals, you can be the toast of the town one day and the subject of scorn the next.

But lately there have been signs of growth in the area. White Room opened up recently and with it came the return of Poplife. Carmel Ophir is working hard at remodeling the old I/O Lounge spot, hoping to reopen the space early 2008 as Vagabond. But really the loudest bang in the Downtown’s scene is Parkwest. If this venue actually succeeds in turning a profit and keeping the crowds coming, but not at the expense of quality, it could once and for all prove that Downtown’s scene is worth investing. It would send a clear message that Park West, the area, can be a true competitor to South Beach’s glitzy lure.

5 comment(s)

There are 5 comments about this post:

D, Yes I agree naming it "parkwestnightclub" is an ignorant marketing move, spelling it out in black in white leaving nothing to the imagination, they may have just called it "somethingelseon11st" and gotten the same effect. I thought stereo was bad name also. Literal does not equal chic.

do you have an idea of what the musical demographic of PWNC? Is it radio pop? druggy house? crap rap? The idea of "open format" seems to escape me, can you spell it out in crayons for me? i was just wondering, since it wasnt in your article.
DJ Ross and Ruen play mostly hip-hop, but GOOD hip-hop. At times they mix it with good pop and electro tracks as well. But Rehab Bar, which is the 2nd room will open as a seperate club soon (with its own side entrance) and that will be a more indie-rock format.
Ghost of Miami Nights Past
where are opening night pics??????
Rotting, shittily, on my harddrive. You may check IStatedUpLate or nefariousgirl for better ones - ours suck.
pop lock and drop it
Stereo/Parkwest was decent. The mix of people on the opening night was weird, a hodgepodge. I'm generally fearful of clubs that are too inclusive (even though I've been told they're going to be more selective in the future). It reminds of the "clubs" in Pittsburgh where it's some radio station DJ playing songs one after another while a bunch of college girls get sloppy and grind against everything on the dance floor. There's nothing wrong with that scenario, in itself, but it gets boring after a while. I think being from a larger city drives my unreasonable demands that there be many options for nightlife and scenes. Small town people can't really develop that kind of mentality. They take what they can get. Miami club life also has a subtle decadence that many other cities try to replicate, but fail at, and those copycat clubs end up being cartoonishly garish and gauche.

I was sad to see the changes inside the club though. I really liked Twilo's setup. The sound system and lighting in Twilo were probably some of the best I've seen in a club. That and the shirtless gay dudes doing bumps openly at the urinals was a nice touch. Crobar had a good sound system too. Every other club doesn't really stand out in my mind.
Rocking the balls and ass of the blogging world.

 



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